
BIANCO ALGERIA
The house white — a clean, even ground that lets a room read as light.

Marble
A soft grey ground under a fine, close network of darker veining — movement that reads at room scale without ever resolving into a figure.
Grey Reseda Algeria sits between the house whites and the true greys. The ground stays pale enough to keep a room light, and the veining is fine enough that it never resolves into a figure somebody has to match. That is the practical argument for it. A dense, small-scale veining can be laid continuously — across a lobby floor, up a full-height wall — without the joints announcing themselves, because there is no single gesture to interrupt. It asks less of the layout than a drawn marble and gives more than a plain one. Finish decides which stone you get. Polished, the grey deepens and the veining gains contrast, and it reads as the subject of the room. Honed, it flattens towards concrete and becomes a surface to walk on rather than look at — which is the finish to specify when the stone is the floor and something else is the subject.
Every piece we deliver carries this mark.
Natural stone varies. Variation grades describe the expected range of veining and background, not a defect.
Technical documentation is provided on request.
Current lots are confirmed with you directly. Share your requirement and we will respond with what is available.

The house white — a clean, even ground that lets a room read as light.

A warmer white that holds its colour under artificial light.

A white with a pearl cast that changes with the light through the day.
A specialist reviews every request. You will hear from a person, not an autoresponder.